Mandy Harris Williams
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# Writing

(Highlights, in reverse order)

Pope L. Cements His Provocateur Status With Three Shows Across Manhattan, in Cultured Magazine (Print and Online), September 2019

The Elegance of a Sneaker Slipped, Not Tied (Personal Essay), on Totokaelo, April 2019

#BrownUpYourFeed (Round-up), in Riposte Magazine (Print), No. 11, April 2019

BSFX: Black Special Effects (Art Criticism), in Art Los Angeles Contemporary (Print), February 2019

Color Values: White Women Aesthetics and Politics (in “A PowerPoint Presentation on How to #BrownUpYourGallery (for an Art World that Loves White Women)”) (Slideshow), on Vulture (Online), November 2018

Patrisse Khan-Cullors (Feature), in Dazed Magazine (Print and Online), Volume IV, Summer 2018

Why Nigerian Rapper Princess Vitarah is Internet Royalty (Feature), on Mel Magazine (Online), January 2018

A Black Bachelorette is No Victory for Black Women (TV Review/Essay), on For Harriet (Online), May 2017

‘Dear White People’ is not perfect but it’s revolutionary (TV Review/Essay), on The Grio (Online), May 2017

How Woke is Ahnoni? (Live Music Review/Essay), on Mel Magazine (Online), September 2016

Rick Owens at Paris Fashion Week: Use of black women’s step team instead of models sets back diversity (Fashion Review/Essay), on The Grio (Online), September 2013

Mass Incarceration as Social Control (Report), on Carnegie Council for Ethics in International Affairs, Briefings (Online), May 2009